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Oxford American - The Southern Magazine of Good Writing

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  • A nice read... and a peek into the kaleidoscope of a New Orleans legend....
  • #Photography “threatens and demands certain things from its subjects”—Kate Fowler via @oxfordamerican
  • RT @oxfordamerican: Introducing the Oxford American's Fall Issue, incl. Greil Marcus, Patsy Sims, Alex Mar: #OA86 ht…
  • “#photography is locked within a box that combines present reality with poetic history”—K. Fowler via @oxfordamerican
  • Unfathomable City: A New Orleans Atlas, by Rebecca Solnit and Rebecca Snedeker :: Oxford American
  • RT @oxfordamerican: "Why I Write" by the great Barry Hannah:
  • “Photography enforces subjectivity; it commands a frame, a forced perspective”—Kate Fowler via @oxfordamerican
  • RT @BoneSparkBlog: Dixon Hearne interviews Louisiana writer David Armand in the Oxford American via @DeepSouthmag
  • RT @oxfordamerican: Now online: @HannahDAbrams short short essay, "A Guide to Surviving Your Father's Homelessness." #OA85
  • “Photographs lie by omission—always” Kate Fowler via @oxfordamerican
  • Dixon Hearne interviews Louisiana writer David Armand in the Oxford American via @DeepSouthmag
  • @joehagensays Thanks for this. I love it! @oxfordamerican
  • Hard to believe it's already been a year since we cut a 78 with the Cajun Stump Jumper, Gerard Dupuy @oxfordamerican
  • RT @oxfordamerican: .@robstephoto's series "Myths of the Near Future" will take you back to the Florida of your childhood:
  • .@robstephoto's series "Myths of the Near Future" will take you back to the Florida of your childhood:
  • “Historical sense and poetic sense should not, in the end, be contradictory”—Robert Penn Warren via @oxfordamerican
  • RT @oxfordamerican: A conversation with Jamie Quatro. Where is the "sound beneath the marks?"